Rembrandt’s most iconic and mysterious artwork is Christ in the Storm on the Sea of Galilee, painted in 1633.
Of all 600 Rembrandt van Rijn paintings; Christ in The Storm of Galilee 1633 is the artist’s only seascape. Rembrandt’s biblical painting depicts a scene as reported in Matthew, Mark and Luke, when Jesus and his disciples crossed the Sea of Galilee.
Out of nowhere, a ferocious storm arose and threatened to destroy their boat. Filled with panic, the disciples tried in vain to control the rigging and the sails of their small fishing vessel.
They consequently awoke Christ who’d been sleeping in the stern of the boat. His disciples asked if their Lord didn’t care whether they lived or drowned. Christ calmly commanded the sea “Peace! Be Still!”.
Immediately, the wind ceased and the waters returned to serenity and calm. Rebuking them for their fear, Jesus asked his followers “Why are you afraid? Have you still no faith?”.
Amongst the panic-stricken figures, only two remain still and calm. One is Christ, the other is Rembrandt, who is gazing directly out at the viewer. He steadies his position by holding a rope with one hand, and grasps his cap with the other hand. With this bold inclusion, the artist involves the viewer as an active participant in his own imaginative world.
As the most well-known of Rembrandt’s religious paintings, the artwork’s message relates to the distinction between natural fears (arising from the world) and spiritual fears (arising from a lack of faith and absence of heavenly principles in the mind).
It depicts human frailty (both spiritual and physical) and emotional turbulence, contrasted with the overwhelming power and immutability of God.
Painted shortly after Rembrandt moved to Amsterdam from Leiden, The Storm on the Sea of Galilee reflects his growing stylistic maturity. Other Rembrandt famous paintings of this era include Judith at the Banquet of Holofernes (1634), Belshazzar's Feast (1635) and the mythological masterpiece Danaë (1636).
The scene is incredibly detailed, with the individual expressions and actions of each disciple brilliantly depicted. The controlled brushstrokes and vivid coloring are reminiscent of Rembrandt’s earlier style of history painting. Despite this, his later expressionism and dynamic compositional structure are already evident.
Even at this early stage, the painting reflects Rembrandt’s amazing ability to seize our attention and place the viewer right in the middle of historical and sacred scenes. In terms of subject matter, the contemporary fishing boat creates greater immediacy and empathy. In compositional terms, the dark skies contrast with the bright white crashing waves, further adding dynamism and chiaroscuro to the swirling composition.
Stolen in 1990, the theft of Rembrandt's Sea of Galilee remains the art world’s most notorious unsolved heist. Owned by the Isabella Stewart Gardner Museum in Boston, it hung amidst other artworks from the Dutch Golden Age of painting.
Posing as two police officers on the morning of 18 March 1990, two individuals broke into the museum. They stole The Storm on the Sea of Galilee as well as twelve other famous artworks.
The crime remains the most significant art theft in American history as well as an unexplained mystery. The painting’s whereabouts is still unknown.
Dutch Golden Age artist Rembrandt van Rijn was born in July, 1606 and died in October 1669.
Known simply as Rembrandt, he is considered to be one of the greatest visual artists in history, and the most important artist in Dutch art history. Rembrandt was a master draughtsman and printmaker, as well as being a painter, and his work showed a broad range of style as well as subject matter, painting a great variety of subjects, from portraits and self-portraits to landscapes and biblical scenes, mythological scenes, animal studies and landscapes.
Like Vermeer, another Dutch Golden Age artist, Rembrandt never left his native Holland, but was influenced in his work by the Italian masters, and by other Dutch artists who had been to Italy to study, artists such as Pieter Lastman and Peter Paul Rubens.
Rembrandt was born in Leiden, to a well off family; his father was a successful miller, who sent the young Rembrandt to the University of Leiden, where he showed an interest and great aptitude for painting. He studied as an apprentice to a Leiden history painter, Jacob van Swanenburg, staying with him for three years.
After this Rembrandt had a brief but important six months apprenticeship with Pieter Lastman in Amsterdam. He then opened his own workshop. In 1629 Rembrandt’s paintings were noticed by the Dutch statesman Constantijn Huygens, who introduced the young Rembrandt to Prince Frederick Hendrik, a Prince of Orange, who purchased many Rembrandt paintings over a period of many years.
In 1631, Rembrandt moved from The Hague to Amsterdam, where he achieved great success as a professional portrait painter.
In 1634 he had married Saskia van Uylenburgh in 1634. With the success of Rembrandt’s portrait paintings, the couple were able to purchase a newly built house in a smart area of the city, the Breestraat, which was becoming a prominent Jewish quarter of Amsterdam. Today, the house is the Rembrandt Museum House. It has been restored with interiors very similar to those of Rembrandt’s time.
Rembrandt used many of his Jewish neighbors as models for his Old Testament series of paintings. This was unusual at a time when Jews were often discriminated against.
Saskia died in 1642. Rembrandt had an affair with the woman hired to look after his son Titus when his wife was ill. Rembrandt then married a much younger woman with whom he had one daughter.
It was at this time that Rembrandt found himself in financial difficulties as he habitually spent more than his considerable income. As a result, he was forced to sell the house, moving to a smaller property, in a less affluent area of Amsterdam.
In the early 20th century, it was estimated by scholars that Rembrandt had painted well over 600 paintings, 400 etchings and 2,000 drawings. In more recent years, experts have reduced the numbers of Rembrandt’s paintings very significantly. As an example, it had been estimated that Rembrandt had painted some 90 self-portraits. That number is more likely to be about 40 actually painted by Rembrandt himself as it has become known that Rembrandt required his students to paint portraits of him during their apprenticeships.
Rembrandt’s famous paintings are widely held in museums and private collections around the world. The most extensive collections are in the Rijksmuseum in Amsterdam and the Mauritshuis in The Hague. Other notable collections are at the Hermitage Museum in St Petersburg, the National Gallery in London, The Louvre in Paris, the Frick Collection and the Metropolitan Museum of Art in New York City, The National Gallery of Art in Washington, D.C., the Museum of Fine Arts in Boston, and the J. Paul Getty Museum in Los Angeles.
Rembrandt’s most famous painting is The Night Watch 1642. The painting is in the collection of the Amsterdam Museum but is on display at the Rijksmuseum. It is recognized as the museum’s most famous painting and one of the most famous Dutch Golden Age paintings.
The painting is notable for its huge size – nearly 12 feet long and over 14 feet wide – with the central figures being nearly life sized. Over the years the painting was been trimmed to fit into a smaller frame and several of the originally 34 figures were lost. Rembrandt’s Night Watch three years to paint.
Other famous Rembrandt paintings include:
The Storm on the Sea of Galilee 1633. This is Rembrandt’s only known Seascape, and was stolen in 1990 from the Isabella Stewart Gardner Museum in Boston. The painting depicts the miracle of Jesus calming the storm. The painting has never been recovered.
Rembrandt’s The Jewish Bride painted in 1667 shows a father giving his daughter a necklace on her wedding day. This painting is held by the Rijksmuseum in Amsterdam.
The Head of Christ was painted in 1648. It is based on a Jewish model who was one of Rembrandt’s neighbors at the time, and is held by the Gemaldegalerie in Berlin.
Bathsheba at Her Bath was painted in 1654, showing the Biblical King David seeing Bathsheba bathing and seducing her. The painting is held by The Louvre in Paris.
The Man with the Golden Helmet was painted in 1650, and is also held by the Gemaldegalerie in Berlin, and is another classic example of the Dutch Golden Age.
Danae was painted in 1636 and shows the mythological figure Danae meeting Zeus in the form of a shower of gold. The painting is in the collection of the Hermitage Museum in St Petersburg.
Self Portrait with Beret and Turned Up Collar is one of many of Rembrandt’s self-portraits. The painting was completed in 1659 and is held by the National Gallery of Art in Washington, D.C.
The Prodigal Son in a Brothel was painted in 1637 and it has been discovered that the two figures depicted in the painting Rembrandt himself and his wife Saskia. The painting is held by The Gemaldegalerie Alte Meister, in Dresden.
The Anatomy Lesson of Dr. Nicolaes Tulp 1632 is considered an early Rembrandt masterpiece.
Self Portrait with Two Circles is widely considered to be Rembrandt’s greatest self-portrait oil painting. Painted between 1665 and 1669, the portrait shows Rembrandt with his palette and brush, wearing a white hat and red bib over a white shirt and a fur coat. The meaning of the two circles is unknown.
The Return of the Prodigal Son 1661 – 1669 is one of Rembrandt’s final paintings before his death. Showing the famous Biblical parable, the painting is held in the Hermitage Museum in St Petersburg.,
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