Whistler’s Mother painting by James Abbott McNeill Whistler is one of the most famous American artworks. Despite its title, “Arrangement in Grey and Black No. 1,” the painting is better known by its informal epithet being painted in 1871.
The work is a true American cultural icon created in oils on canvas. Some have even gone as far as declaring it a Victorian Mona Lisa.
Unsurprisingly, the painting depicts Whistler's mother, Anna McNeill Whistler. Anna supported James Whistler’s art career from the very start, enrolling him at the St Petersburg Imperial Academy of Arts from a young age.
Several (unverified) reports cite Anna Whistler only posed for her son because his original model failed to arrive. He’d planned a standing portrait; however, given her age (67 at the time), Anna was uncomfortable standing for long periods. Whistler consequently provided the now-famous chair.
Akin to James McNeill Whistler’s Nocturne in Blue and Gold, Arrangement in Grey and Black exemplifies the artist’s fascination with color. Painted with Whistler’s characteristically liquid paint, scraped over the canvas in long sweeping strokes, the gray wall takes a form all of its own. Fascinated by Japanese culture and calligraphy techniques, the curtain’s decorative pattern also represents these stylistic experiments.
While James Whistler art rarely focused on symbolic representations, critics speculate a deeper meaning. The dark color palette and stiff posture suggest a somber take on parental duty, aging, and mourning. Anna died in 1881, aged 77.
Today, Whistler’s Mother exemplifies themes of family values, motherhood, and the Victorian era as a whole. It graces American stamps, postcards, statues, advertisements, and pop-culture parodies.
Shown originally at the 1872 Royal Academy exhibition, Whistler’s mother was not initially well received. The academy panel nearly rejected the painting, causing Whistler substantial anguish. In addition, the title “arrangement” proved problematic for the traditional British art world. Critics couldn’t appreciate a portrait given such a peculiar title.
This seemingly insignificant debate on terminology was necessary, as Whistler added the explanatory note “portrait of the painter’s mother.”
As a result of this near-rejection, though, Whistler never submitted paintings to the Academy again. A great supporter of “art for art’s sake,” the continued focus on the sitter's identity particularly vexed Whistler.
Despite this, the Scottish historian and philosopher Thomas Carlyle was particularly impressed by the work. He resultantly sat for the artist, leading to Arrangement in Gray and Black, No. 2 (1872). Building on the first arrangement, this painting utilized a similarly muted color palette and formal seated position.
The painting features Anna McNeill Whistler, posing at the artist’s home in Cheyne Walk, Chelsea. Whistler moved to London in 1863 sharing his home and studio with his mother. Known as the White House, the massive costs of building this residence (alongside an expensive court case) almost bankrupted Whistler.
In terms of the artwork itself, the painting currently hangs in the Musée d'Orsay in Paris. Acquired in 1891 by the Musée du Luxembourg, it is a rare example of important James McNeill Whistler paintings held outside America.
The sale vindicated Whistler in light of his previous rejection by the British art scene. Indeed, the artist wrote a letter to a friend describing his treatment with “deference and respect” on the continent. Whistler described it as a “tremendous slap in the face” to the “Academy and the rest.”
We offer a 100% money back guarantee or replacement service. If for any reason you are dissatisfied with your painting please contact us within 7 days of receipt, advising the reason you are unhappy and we will provide you with all the information you need for its return or replacement.
Your painting will be shipped rolled in strong plastic tubing, ready for stretching and/or framing locally. This is the conventional method of transporting hand-painted oil on canvas. Learn more about how your painting is shipped.
Please note that replica oil paintings are finished with an additional 10cm (4") of extra canvas on all sides, allowing ample surplus canvas for stretching and framing.