Not sure whether this painting is the right size, style, or color for your space? Read our guide to Choosing the Right Oil Painting for Your Home.
Olympia by Edouard Manet 1863 is one of the most admired yet controversial paintings of all time.
Depicting a nude woman (the Olympia of the title) reclining on a sumptuously furnished bed, it instigated equal amounts of shock and disbelief on its unveiling to the French public.
Manet's oil painting was first exhibited at the Paris Salon of 1865 and has since emerged as one of the most famous impressionist paintings.
Edouard Manet's paintings often developed classical themes. Inspired by the great renaissance masters, Olympia references Titian’s Venus of Urbino and Giorgione’s Sleeping Venus. Despite these bucolic depictions, Manet brought the sitter into an everyday indoor scene.
Deviating from traditional academic style, quick brushstrokes, large areas of color, and flat depth characterize the painting. Manet’s Olympia is unmistakably a real woman in a natural setting, unlike recent heavily mythologized nudes, such as Alexandre Cabanel ‘s The Birth of Venus.
The maid offering the bunch of flowers was known as Laure. While the real woman’s last name remains unidentified, her inclusion in the painting is a topic of intense scholarly debate. Olympia was painted just fifteen years after the abolition of slavery in France when racist views were still strong in Paris.
Some argue Laure’s inclusion served as a negative counterpoint to the white woman, signifying racial stereotypes of the age. Others (such as Charles Bernheimer) posit Manet included the maid figure to develop the theory of chiaroscuro, with opposing light and dark tones.
The woman in Manet’s painting is Victorine Meurent, an established model and painter in her own right. Although known today as Manet’s chief muse, she also regularly exhibited at the Paris Salon. Indeed, in 1876 her paintings were selected for the juried Salon show, while Edouard Manet's artworks were not.
Meurent appeared in other Edouard Manet art, including paintings such as Street Singer (1862), Woman with Parrot (1866), The Railway or Gare Saint Lazare (1873), and The Croquet Game (1873).
Victorine Meurent’s recognizability and celebrity added to Parisian viewers’ shock. A well-known society lady couldn’t possibly represent historical or mythological meanings, leaving no other focus but her sexuality.
While assessing Edouard Manet’s Olympia, it is essential to note it wasn’t the woman’s nudity that scandalized the French public. Indeed, it wasn’t even the suggestions of her prostitution, the contrast between her fully-clothed assistant, or the issues of class and race inherent in the large painting. Instead, the woman’s intense, direct stare confounded contemporary audiences.
This lack of shame created a significant scandal. Various details in the painting present the woman as a “demimondaine,” a fact she doesn’t appear to be hiding.
Clues include the visible orchid tucked behind the woman’s ear, jewelry, and oriental shawl. In addition, the black ribbon choker and silk slipper further underlie the opulence and licentiousness. Charles Baudelaire also noted that Meurent’s thinness was particularly indecent.
Although Manet’s Le Déjeuner sur l’herbe (or “Luncheon on the Grass”) also generated extreme dissension on its debut in 1863, Olympia far surpassed this. “Vulgar” and “immoral” were just some words describing it in the press.
One of the few voices in support was Émile Zola. He praised Manet’s honesty and refusal to “correct nature.” Instead, he argued that Manet decided to “tell the truth” and depict the woman of the age, the “fille of our time.” This realism in subject matter and great painterly technique firmly place Olympia amongst the most famous realism paintings.
Purchased in 1890 by the French government, the painting currently hangs in the Musée d'Orsay.
Manet's Olympia forms part of our Art Collection of Famous Nude Paintings. Buy reproduction oil paintings of Edouard Manet's famous artwork from our online art catalog.
All our hand-painted oil painting reproductions are backed by a 45-day, 100% refund or replacement guarantee, so you can order with complete confidence.
We ship free to anywhere in the world via FedEx or DHL expedited service with online tracking.
Your painting will be shipped rolled in strong plastic tubing, ready for stretching and/or framing locally. This is the conventional method of transporting hand-painted oil on canvas. Learn more about how your painting is shipped.
We are able to offer a framing service intercontinental U.S. Please contact us if you would like a quotation. Alternatively, should you prefer, we can recommend a framer in your area.
Your painting will be shipped directly from our Studio in Thailand.
After helping customers choose hand-painted oil paintings for many years, one pattern appears repeatedly. Most people have little difficulty identifying the paintings they are drawn to. The greater challenge is deciding which size will work best, how the artwork will relate to the room, and whether it will remain enjoyable to live with over time.
A painting can completely alter the atmosphere of a room. Sometimes a space that feels unfinished suddenly becomes balanced once the right artwork is installed. Other times, beautifully furnished interiors never feel entirely comfortable because the painting is too small, too visually demanding, or disconnected from the surrounding architecture.
Over the years, we have found that the paintings people continue to enjoy are rarely chosen solely because they match the furniture. Scale, wall proportions, natural light, ceiling height, viewing distance, and personal connection all influence whether artwork feels naturally integrated into a home.
The most successful interiors usually feel personal rather than overly planned. Paintings often work best when they are chosen because they suit the room, reflect the owner's taste, and remain enjoyable to live with over time.
One of the most common mistakes people make when choosing artwork is being too cautious with scale.
A painting can look surprisingly substantial on a computer screen or even inside a gallery, then feel much smaller once it is placed above a large sofa or on a wide, uninterrupted wall.
Many homeowners are surprised by how much visual space a room absorbs once furniture, lighting, and viewing distance are taken into account.
Rooms with higher ceilings often require larger paintings than people initially expect. A painting that feels substantial in a standard-height room can sometimes appear visually disconnected when placed on a tall wall with significant empty space above and below it. This is one reason artwork selected for apartments, lofts, and contemporary homes with higher ceilings is often larger than customers originally planned.
Open-plan interiors are particularly challenging because paintings are often viewed from several feet away rather than up close. A size that feels generous when viewed online can sometimes feel lost once installed within a larger living space.
Paintings in open-plan interiors are frequently viewed from much greater distances than people realize. A painting above a sofa may also be visible from the dining area, kitchen, hallway, or staircase. For this reason, artwork that appears generously sized when viewed up close can sometimes feel surprisingly small in the finished room.
For this reason, many people find that they would have been happier choosing a larger size. That does not mean every room requires oversized artwork, nor does it mean a collection of smaller paintings cannot work beautifully. However, when a painting is intended to act as a focal point, slightly larger dimensions are often more successful than most people initially expect.
This is something people often do without realizing it, particularly in homes with higher ceilings.
A useful way to assess placement is to spend time in the room and view the painting from the positions where it will most often be seen. In living rooms, this may be from a sofa, while in hallways, dining rooms, and entrance halls, it is more likely to be from a standing position.
Rather than focusing on a specific measurement, consider whether the painting feels naturally connected to the surrounding furniture and architecture. If viewers find themselves looking noticeably upward to appreciate the artwork, the painting may be hanging higher than necessary. In most interiors, artwork feels most comfortable when it can be viewed easily and naturally without drawing attention to its placement on the wall.
Natural light changes paintings throughout the day. This is something many people only notice after the artwork arrives and is hanging on the wall.
A painting that looks bright and vibrant in a sunlit room during the morning can feel quite different in the evening under artificial lighting. Wall colors, flooring, ceiling height, window placement, and even the direction a room faces all influence how colors and details are perceived.
Oil paintings are particularly sensitive to changing light because textured brushwork and layered paint surfaces reflect light unevenly across the canvas. This gives oil paintings much of their character, but it also means they rarely look the same from one time of day to another.
Paintings with softer palettes and atmospheric brushwork often adapt naturally to these changing conditions. This is one reason Impressionist paintings remain consistently popular in residential interiors. By contrast, paintings with very dark backgrounds or dramatic shadows can sometimes feel considerably heavier in person than they appear in a photograph, particularly in rooms that receive limited natural light.
For this reason, it is often helpful to think about when a room is used most frequently. A painting viewed primarily during daylight hours may create a very different impression from the same painting viewed mainly in the evening.
Not every painting makes its strongest impression immediately.
Some artworks attract attention within seconds because of a dramatic subject, bold color, or familiar image. Others are quieter. Their appeal often develops gradually as the viewer begins to notice smaller details, relationships within the composition, or aspects of the painting that were not obvious at first glance.
This is something many people discover only after a painting has been hanging in their home for some time. An artwork that initially seemed straightforward may continue to reveal interesting details, while a painting chosen purely for its immediate impact can sometimes become less interesting once the novelty has worn off.
When viewing paintings online, there is a natural tendency to make decisions quickly. However, it is often worth spending a little longer with the artworks that repeatedly draw your attention. The paintings that reward a second or third look frequently possess a depth that is difficult to appreciate from a brief first impression alone.
This does not necessarily depend on the age, style, or monetary value of a painting. What matters is whether the artwork continues to hold interest over time. In our experience, paintings that invite repeated viewing often become some of the most satisfying works to own because they remain engaging long after the initial purchase decision has been forgotten.
When choosing artwork, many people focus primarily on furniture, wall colors, and decorative accessories. Yet the architecture of a room often has an equally important influence on how a painting is perceived.
For example, a large contemporary room with clean lines and open walls can comfortably support paintings that might feel overwhelming in a smaller, more traditional setting. Equally, a classical interior with decorative moldings, timber furnishings, and period features can often accommodate paintings with greater visual complexity than a minimalist space.
When choosing artwork, it is often helpful to think about the room as a whole rather than focusing on individual furnishings. Paintings tend to feel most successful when they relate naturally to the scale and character of the space in which they will be displayed.
Successful interiors do not necessarily depend on exact color matching. Artwork often works best when it complements a room without feeling obliged to repeat every color already present within the furnishings.
One of the biggest challenges when choosing artwork online is imagining how the painting will actually look once it is installed. A painting that appears substantial on a computer screen can feel surprisingly small on a large wall, while an oversized painting can sometimes look far more balanced in a room than expected.
For this reason, many customers find it helpful to look beyond the product image and consider how the artwork will relate to the space in which it will be displayed. Ceiling height, furniture placement, wall proportions, natural light, and viewing distance all influence how a painting feels within a room.
A simple technique used by many interior designers is to cut a piece of craft paper, newspaper, or cardboard to the exact size of the painting being considered and temporarily attach it to the wall using removable adhesive such as Blu Tack. This provides an immediate sense of scale and often helps people decide whether they would be happier with a larger or smaller size before placing an order.
Customer installation photographs can also be helpful because they show paintings displayed in real homes rather than in isolation. Seeing completed paintings within finished interiors often provides a clearer understanding of proportion, placement, and how different styles of artwork interact with a living space.
After viewing customer installation photographs, many people discover that paintings they initially considered oversized often look remarkably balanced once installed. Seeing artwork displayed in real homes frequently provides a clearer understanding of scale, wall proportions, and visual impact than dimensions alone can.
For customers who would like additional assistance, our team is also happy to review photographs of a room and discuss possible painting sizes, subjects, or placement options. In many cases, a second opinion can help narrow the choice between several paintings or confirm whether a particular size is likely to work well within the space.

One of the most common surprises when viewing customer installations is how comfortably larger paintings can sit within relatively small rooms. This dining area demonstrates how a well-proportioned painting can create a strong focal point without overwhelming the surrounding space.

This customer photograph illustrates how the right proportions are sometimes more important than size alone when selecting paintings for a room.

Customer installation photograph showing the relationship between artwork, wall space, furniture, and room proportions within a finished interior.
Ultimately, there is no formula that guarantees the perfect painting. Size, placement, lighting, and room proportions all matter, but they are only part of the decision. The paintings that people treasure most are often the ones that immediately capture their attention, spark their imagination, or feel right from the beginning. If a painting speaks to you, continue returning to it, and if you can genuinely imagine living with it for many years, it is often worth trusting that instinct. A well-chosen painting is more than decoration; it becomes part of the home and can provide enjoyment, interest, and inspiration for years to come.
All of our paintings come with a 7.5cm (just under 3") clean surplus canvas so the framer can achieve good leverage and easy stretching.